20111209_「５時に夢中！」1/6～オープニングでダメ出しされるふかわりょう
１２／９（金）PM5:00～6:00TOKYO MX放送の「５時に夢中」より。 ＭＣ逸見太郎氏、アシスタント ミッツ・マングローブさん、金曜レギュラー中尾ミエさん、ゲスト：オープニングで水泳自慢するも、中尾ミエにダメ出しされる、お笑いタレントのふかわりょう。
Chapter 09 - The Adventures of Tom Sawyer by Mark Twain
Chapter 09: Tragedy In The Graveyard. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by John Greenman. Playlist for The Adventures of Tom Sawyer by Mark Twain: www.youtube.com The Adventures of Tom Sawyer free audiobook at Librivox: librivox.org The Adventures of Tom Sawyer free eBook at Project Gutenberg: www.gutenberg.org The Adventures of Tom Sawyer at Wikipedia: en.wikipedia.org View a list of all our videobooks: www.ccprose.com
Van Morrison - You Don't Pull No Punches, But You Don't Push The River
Van Morrison - You Don't Pull No Punches, But You Don't Push The River Song origins: The song was written on Morrison's three week trip to Ireland in October 1973, along with seven other songs that would feature on Veedon Fleece. Biographer Clinton Heylin wrote that Morrison admitted—that "aside from 'flashes of Ireland'—the song had 'other flashes on other kinds of people. I was also reading a couple of books at the time...[there's] a bit of Gestalt theory in it, too." (A book entitled, Don't Push the River (It Flows by Itself) by Barry Stevens about her use of Gestalt therapy was published in 1970.) In the song's lyrics are Morrison's first referral to William Blake, and the Eternals from Blake's The Book of Urizen. The Sisters of Mercy, also mentioned in the song, is a religious organisation of women founded in Dublin, Ireland. Composition: The song begins as a love song celebrating a young girl's childhood and then goes into a journey along the west coast of Ireland and then suddenly goes into a mythological search for an object he calls the "Veedon Fleece". Musically, it combines a woodwind section and strings, both played in blocked chords. The song is played at a moderate tempo in the key of G major. The Em-C chord progression features throughout the duration of the piece. The song's introduction consists of Ralph Wash's acoustic guitar playing chords on the upper registers of the instrument, with James Trumbo playing the legato melody on piano in 12/8 time ...
